I’m 100% in love with Disneyanity by Douglas Brode, but I do have a few complaints. First of all, he uses the title or a character’s full name once and then abbreviates it for the rest of the essay and that drives me crazy. I’m constantly trying to remember who or what it stands for. It uses up brain energy, people. You’re typing, not writing it out by hand, please.
Second, I think he’s wrong in a lot of places. I know. Crazy. I could be wrong too, but I doubt it. (Read that in “sarcasm font.”) Honestly, though, I think he’s definitely reading into a lot, but it’s still fascinating to read. We all interpret movies and books from our own world view, seeing what we want to see, connecting the dots to create the picture we really want. We’re not scientists or historians! We’re artists and lovers of craft!
And what’s better than pulling apart and peering into the inner workings of a great story?!
“And yet numerous critics, professional as well as (in the age of the Internet and IMDB) amateur, complain that “Disney get the story all wrong.” Which is a naïve approach to the continuing art of storytelling. In fact, there is no original version of the Persephone tale in existence. During the Greek Golden Age, poets drew on oral versions of fables dating back to Mycenean and other early agricultural societies, existing long before anyone set down narratives in writing. What Disney achieved is what those storytellers earlier did; take a tale with ongoing/universal appeal for humanity itself and relate this so as to ring true for the citizenry of the artist’s own time.”disneyanity by douglas brode
I’ve heard that complaint from people when new Disney movies came out and agreed with it. If you’re going to present movies about historical figures, shouldn’t they be as true to life as possible? Pocahontas was the first movie I heard people losing their minds about.
I guess it depends on why you’re making the movie, why you’re telling the story.
I mean, history books and biographies have already been written, probably a documentary has already been made. So why create another?
In the past I might have said because it hasn’t been told by you, in your words. But why are your words and images so important?
Disney isn’t teaching history. He’s creating mythology. He’s taking characters from our past and telling their story (and his own) in the context of our time. Not himself these days, since he died in 1966 (or did he), but his company of storytellers.
That’s what all movie makers are. Storytellers.
When we watch something, anything really, we need to remember who is telling the story and why, not simply digest everything we see on a screen as the gospel truth.
Instead of screaming to yourself, and the online community at large, “This is false! That’s not what that person did!” Try asking yourself, “What did the presenter of this try to tell me?” We can spend some time reading more about the real-life character or situation if we like, or we can take the entire thing as mythology, a story that attempts to convey a message about humanity and the world around us using names and places we already know.
As a sidenote, the Disney company should pay the author of this book for all the new subscriptions to Disney+ it is probably generating. Reading about each tv show and movie, I want to go back and watch some of them to see if I see what Douglas Brode is talking about. I can’t be the only one. Besides, there are so many new Disney movies that I haven’t seen.
Over the weekend, I watched Encanto while my husband was working on our bathroom remodel. He came in several times to find me cross-legged on the couch, bouncing along to the music like a child. Once, toward the end, when I heard him walk into the room, I shouted, “I’m not crying!”
That movie…oh, wow. Absolutely gorgeous and completely unexpected. I found myself talking back to the tv more than once, which isn’t unheard of around here. I tend to get a little excited about what I’m watching. One of the world’s most beautiful inventions? The pause button!